Lot

52

Miguel de Santiago (Quito, Ecuador, 1620 - 1706)

In Y nos dieron las 100...

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Barcelona
Miguel de Santiago (Quito, Ecuador, 1620 - 1706)"María Inmaculada Niña (asumpta al cielo)"Oil on canvas. 165 x 103 cm.Delicate canvas by the principal painter of the Quito colonial school. It portrays the Immaculate Virgin as a child ascending to heaven, surrounded by angels carrying symbolism from the Litany of Loreto, under the blessing of God the Father and the Spirit, hovering over the scene with joy, light, and both interior and exterior veneration.In this painting, as in many others, Miguel de Santiago maintains a central figure that stands out from the composition, almost with an architectural structure, landscapes, and atmospheric distances.Mary, "electa ut sol, clara ut luna" (chosen like the sun, clear as the moon), like "a lily of the field," "mirror of justice," "without blemish," "without wrinkle"... titles from the Song of Songs collected in the Litanies.Clearly, the painter was knowledgeable about the biblical quote from the Apocalypse (Rev. 12:1 and following), "a woman clothed with the sun, with the moon under her feet, and a crown of twelve stars on her head," as the protector of Christians and aiding in the triumph of Christ.Miguel de Santiago is considered to be one of the most important painters of the Quito colonial school.As stated by the Royal Academy of History: "Miguel de Santiago was born in Quito in the early decades of the 17th century, in the traditional neighbourhood of Santa Bárbara, and died in 1706. In 1633, he was adopted by Hernando de Santiago, alderman and faithful executor of the town of Villar de Don Pardo, from whom he took his surname.Santiago's work is distributed between various convents and churches in the city of Quito.For the Convent of San Agustín, he collaborated in the execution of the series of paintings on the life of the patron saint of the Order. Painted in 1656, the canvases were inspired by engravings made by the Flemish artist Schelte Adams Bolswert.Santiago is also the author of the series of paintings on the Christian Doctrine (1670) found in the Fray Pedro Gocial Museum, of the Franciscan Order of Quito.Santiago exported many of his works beyond the geographical limits of the Royal Audience of Quito.Amongst these, it is worth highlighting the uniqueness of different canvases that would have served mnemonic and didactic functions, such as the series of El Alabado or Ave María and the Articles of Faith, both commissioned in 1673, and the Works of Mercy, which are located in the Bogotá Cathedral, Colombia."
Miguel de Santiago (Quito, Ecuador, 1620 - 1706)"María Inmaculada Niña (asumpta al cielo)"Oil on canvas. 165 x 103 cm.Delicate canvas by the principal painter of the Quito colonial school. It portrays the Immaculate Virgin as a child ascending to heaven, surrounded by angels carrying symbolism from the Litany of Loreto, under the blessing of God the Father and the Spirit, hovering over the scene with joy, light, and both interior and exterior veneration.In this painting, as in many others, Miguel de Santiago maintains a central figure that stands out from the composition, almost with an architectural structure, landscapes, and atmospheric distances.Mary, "electa ut sol, clara ut luna" (chosen like the sun, clear as the moon), like "a lily of the field," "mirror of justice," "without blemish," "without wrinkle"... titles from the Song of Songs collected in the Litanies.Clearly, the painter was knowledgeable about the biblical quote from the Apocalypse (Rev. 12:1 and following), "a woman clothed with the sun, with the moon under her feet, and a crown of twelve stars on her head," as the protector of Christians and aiding in the triumph of Christ.Miguel de Santiago is considered to be one of the most important painters of the Quito colonial school.As stated by the Royal Academy of History: "Miguel de Santiago was born in Quito in the early decades of the 17th century, in the traditional neighbourhood of Santa Bárbara, and died in 1706. In 1633, he was adopted by Hernando de Santiago, alderman and faithful executor of the town of Villar de Don Pardo, from whom he took his surname.Santiago's work is distributed between various convents and churches in the city of Quito.For the Convent of San Agustín, he collaborated in the execution of the series of paintings on the life of the patron saint of the Order. Painted in 1656, the canvases were inspired by engravings made by the Flemish artist Schelte Adams Bolswert.Santiago is also the author of the series of paintings on the Christian Doctrine (1670) found in the Fray Pedro Gocial Museum, of the Franciscan Order of Quito.Santiago exported many of his works beyond the geographical limits of the Royal Audience of Quito.Amongst these, it is worth highlighting the uniqueness of different canvases that would have served mnemonic and didactic functions, such as the series of El Alabado or Ave María and the Articles of Faith, both commissioned in 1673, and the Works of Mercy, which are located in the Bogotá Cathedral, Colombia."

Y nos dieron las 100...

Sale Date(s)
Lots: 84
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Conde de Salvatierra, 8
Barcelona
08006
Spain

General delivery information available from the auctioneer

The purchase price includes the delivery of the lots in the venue of the auction. Transporting to other destinations is at the own risk of the client. The customer must contact "LST", to give the corresponding instructions for such transporting. "LST" is not responsible for the packaging or any accident incurred during transportation.

Important Information

This auction brings us to number 100!
On this special occasion, we present a careful selection of European and New Spanish works, including a previously unpublished painting by Luca Giordano, a magnificent private collection of medieval Spanish sculpture and wonderful examples of painting and sculpture from Spanish America art among other.
We hope you enjoy it as much as we did preparing it.
With our thanks to all those who have made it possible for us to get this far.

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Tags: 15th-18th Century Art