Lot

42

Novo-Hispanic School. 18th Century.

In Millésime 24

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Barcelona

Novo-Hispanic School. 18th Century.
"Hell" and "Portrait of Father Fray Antonio Garces"
Oil on double-sided canvas.
112.5 x 89 cm.
"Horrors, ghosts, demons, and nightmares that plague and torment the sinner at the gates of hell." A curious double-sided painting used for catechetical purposes. A restrictive and punitive yet real catechesis: "Convert to the Gospel, even if only out of fear of hell." On one side, the intention is to instil "fear of hell" (hadephobia). The preacher uses this painting to depict hell as a place where sinners arrive after death. It is a dark place filled with irrational fears and untold terrors. On the other side, we see the portrait of the Dominican Father Fray Antonio Garces that  Antonio MartĆ­nez commissioned upon his death. He used it in his missions as a "terrifying image" and a valid symbol of hell to deter the faithful from it ā€” a painting that served as behavioural therapy to keep them away from evil.
The cartouche reads: "Este Quadro es el que vsaba en las Misiones el RĀŗ. Pe. MĀŗ. Fr. Antonio Garces; murio en Zaragoza el dia 16 de Febrero de 1773, de edad de 72 aƱos. Fue Retratado en este Ć¢ espensas de Dn. Antonio Martinez." ("This painting is the one used in the missions by Reverend Father Master Fray Antonio Garces; he died in Zaragoza on February 16, 1773, at the age of 72. It was painted this year at Don Antonio MartĆ­nez's expense.")
We see an angel guiding a good soul, or one who chose good, to heaven. And on the right, Father Antonio Garces, who seems to have a pallid, lifeless face, as if he had been painted in death.
The slight loss of paint layer observed between the devil and the back of the subject of the portrait reveals the artist's regret at the way he painted the head and left ear. In our opinion, the painter, upon reconsideration of ideas, would have preferred to have shown the humility of the Dominican by bowing his head. Behind him, we see one of the demons he fought against.
It is an intriguing painting on which Freud himself could write an essay about nightmares and their causes, dreams of hell from which we desperately try to escape. A painting that encapsulates both good and evil, the desire to break free from evil and the unpleasant and stressful experience of falling into its grasp.

Novo-Hispanic School. 18th Century.
"Hell" and "Portrait of Father Fray Antonio Garces"
Oil on double-sided canvas.
112.5 x 89 cm.
"Horrors, ghosts, demons, and nightmares that plague and torment the sinner at the gates of hell." A curious double-sided painting used for catechetical purposes. A restrictive and punitive yet real catechesis: "Convert to the Gospel, even if only out of fear of hell." On one side, the intention is to instil "fear of hell" (hadephobia). The preacher uses this painting to depict hell as a place where sinners arrive after death. It is a dark place filled with irrational fears and untold terrors. On the other side, we see the portrait of the Dominican Father Fray Antonio Garces that  Antonio MartĆ­nez commissioned upon his death. He used it in his missions as a "terrifying image" and a valid symbol of hell to deter the faithful from it ā€” a painting that served as behavioural therapy to keep them away from evil.
The cartouche reads: "Este Quadro es el que vsaba en las Misiones el RĀŗ. Pe. MĀŗ. Fr. Antonio Garces; murio en Zaragoza el dia 16 de Febrero de 1773, de edad de 72 aƱos. Fue Retratado en este Ć¢ espensas de Dn. Antonio Martinez." ("This painting is the one used in the missions by Reverend Father Master Fray Antonio Garces; he died in Zaragoza on February 16, 1773, at the age of 72. It was painted this year at Don Antonio MartĆ­nez's expense.")
We see an angel guiding a good soul, or one who chose good, to heaven. And on the right, Father Antonio Garces, who seems to have a pallid, lifeless face, as if he had been painted in death.
The slight loss of paint layer observed between the devil and the back of the subject of the portrait reveals the artist's regret at the way he painted the head and left ear. In our opinion, the painter, upon reconsideration of ideas, would have preferred to have shown the humility of the Dominican by bowing his head. Behind him, we see one of the demons he fought against.
It is an intriguing painting on which Freud himself could write an essay about nightmares and their causes, dreams of hell from which we desperately try to escape. A painting that encapsulates both good and evil, the desire to break free from evil and the unpleasant and stressful experience of falling into its grasp.

Millésime 24

Sale Date(s)
Lots: 73
Venue Address
Conde de Salvatierra, 8
Barcelona
08006
Spain

General delivery information available from the auctioneer

The purchase price includes the delivery of the lots in the venue of the auction. Transporting to other destinations is at the own risk of the client. The customer must contact "LST", to give the corresponding instructions for such transporting. "LST" is not responsible for the packaging or any accident incurred during transportation.

Important Information

Once again, we start the year with a special auction, called MillƩsime.
A catalog of 73 lots of European, Novo-Hispanic and Vicerregal art, so spanish americas art, where you will find paintings, furniture, decorative arts etc.
We hope you enjoy it!!

Terms & Conditions

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X. CATALOG DATA. The catalogue data are obtained in order to careful research and advice, however, any responsibility is afforded about its accuracy. The lots will be auctioned in the state in which they are, not accepting any claims in restorations, breakage, damage, imperfections and, even description or numbering mistakes in the catalogue, in case of it, being the burden of the buyers to make sure before the auction that the description matches with their personal opinion about respective lot. The exhibition of the lots is intended to allow a perfect review and study of them.

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XII. DELIVERY OF LOTS. The purchase price includes the delivery of the lots in the venue of the auction. Transporting to other destinations is at the own risk of the client. The customer must contact "LST", to give the corresponding instructions for such transporting. "LST" is not responsible for the packaging or any accident incurred during transportation.

XIII. RIGHT OF FIRT REFUSAL AND REPURCHASE. "LST" in order to article 38 of "Ley 16/1985 de 25 Junio del Patrimonio HistĆ³rico EspaƱol" (BOE. 155 June 29, 1985), will notify in advance to the Ministry of Culture, the content of their catalogues. Concerning the lots subject to the legislation referred to in the preceding paragraph, the Administration may exercise the rights of first refusal and repurchase according to the law. "LST" will watch over the protection of Artistic, Historical and Bibliographical Heritage of Spain. For customers out of European Community, a tax for export is required by the Administration.

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XVI. EXPRESS LEGAL JURISDICTION. These Conditions are governed by and interpreted in accordance with the rules of Spanish law. The mere act of participating in the auction as seller, buyer or bidder, implies acceptance of these Terms and Conditions.

Sales operations are understood to be held at the registered office of "LST", C/ Conde de Salvatierra, 8, 08006. Any dispute shall be taken to the competent courts of Barcelona, expressly waiving any other jurisdiction, in accordance with Article 55 of the "Ley de Enjuiciamiento Civil".

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Tags: Portrait Painting, Oil painting, Portrait