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Scuola parmense del XVI secolo
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Auctioneer has chosen not to publish the price of this lot
Milan, Italy
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Description
Scuola parmense del XVI secoloSan Gerolamo penitente nel deserto con angeliOlio su rame27 x 20,5 cmL’opera appartiene sicuramente all’ambito pittorico parmense del Cinquecento. Essa è riconducibile alla mano di Jacopo Zanguidi detto il Bertoja (Parma 1544 - 1574), come conferma l’alta qualità pittorica e l’incisione a bulino di C. Cort del 1577, derivata dall’immagine presente nel rame in oggetto. Jacopo Zanguidi studiò sotto la guida di Sabatini a Bologna, subendo anche l'influenza di Correggio e Parmigianino. Nelle sue opere si riscontra un linguaggio artistico articolato, che denota come egli fosse attento al panorama pittorico locale, e in particolare a Lelio Orsi, Nicolò dell'Abate, Primaticcio e Giulio Romano. Dopo i primi lavori in Emilia nel 1568, iniziò a operare per i Farnese a Roma, dove primeggiò con accenti nordici desunti da Bartholomäus Spranger. La sua importanza si avverte osservando gli artisti che furono influenzati dal suo stile pittorico, tra cui ricordiamo Alessandro Mazzola, Giovanni Battista Tinti e Giulio Cesare Amidano.Parma school of the 16th centurySt. Jerome penitent in the desert with angelsOil on copper27 x 20,5 cmThe artwork certainly belongs to the Parma pictorial sphere of the 16th century. It can be traced to the style of Jacopo Zanguidi called il Bertoja (Parma 1544 - 1574), as confirmed by the high pictorial quality and the burin engraving by C. Cort of 1577, derived from the image present on the copper plate.
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Scuola parmense del XVI secoloSan Gerolamo penitente nel deserto con angeliOlio su rame27 x 20,5 cmL’opera appartiene sicuramente all’ambito pittorico parmense del Cinquecento. Essa è riconducibile alla mano di Jacopo Zanguidi detto il Bertoja (Parma 1544 - 1574), come conferma l’alta qualità pittorica e l’incisione a bulino di C. Cort del 1577, derivata dall’immagine presente nel rame in oggetto. Jacopo Zanguidi studiò sotto la guida di Sabatini a Bologna, subendo anche l'influenza di Correggio e Parmigianino. Nelle sue opere si riscontra un linguaggio artistico articolato, che denota come egli fosse attento al panorama pittorico locale, e in particolare a Lelio Orsi, Nicolò dell'Abate, Primaticcio e Giulio Romano. Dopo i primi lavori in Emilia nel 1568, iniziò a operare per i Farnese a Roma, dove primeggiò con accenti nordici desunti da Bartholomäus Spranger. La sua importanza si avverte osservando gli artisti che furono influenzati dal suo stile pittorico, tra cui ricordiamo Alessandro Mazzola, Giovanni Battista Tinti e Giulio Cesare Amidano.Parma school of the 16th centurySt. Jerome penitent in the desert with angelsOil on copper27 x 20,5 cmThe artwork certainly belongs to the Parma pictorial sphere of the 16th century. It can be traced to the style of Jacopo Zanguidi called il Bertoja (Parma 1544 - 1574), as confirmed by the high pictorial quality and the burin engraving by C. Cort of 1577, derived from the image present on the copper plate.
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